LONDON – The British Museum’s new exhibition on the Roman Emperor Nero opens with a piece of bogus information from the historical entire world.
Visitors are greeted with an impression of Peter Ustinov as Nero in the motion picture “Quo Vadis” strumming a lyre — a famed impression of the cruel tyrant who notoriously fiddled even though Rome burned.
But, the exhibition says, that tale is a fantasy. As these types of, it’s a fitting introduction to an emperor whose story was mostly penned by enemies right after his death, generating what curator Francesca Bologna phone calls “the Nero we enjoy to despise.”
“Our goal right here is to show that this, nevertheless well-liked, impression is truly primarily based on extremely, extremely biased accounts and as a result we should obstacle it,” she said all through a preview of the exhibition Monday.
“The Nero story is about how we should solution details, how we should always solution our sources critically. This is appropriate for Nero, it’s appropriate for historians, archaeologists, it is appropriate for daily persons living their daily life.”
“Nero: The Man Powering the Myth” opens to the public on Thursday, 6 months later than initially prepared as a result of the coronavirus pandemic. The show, which runs until eventually Oct. 24, comes the week right after U.K. lockdown limitations have been lifted and London’s museums have been allowed to reopen at limited ability.
The exhibition attracts on the British Museum’s vast trove of Roman artifacts, as well as merchandise from collections in Italy, France, Germany and other nations, loaned even with pandemic-relevant limitations.
“Everyone all through Europe and the U.K. came to our rescue,” Bologna said. “They have been actually comprehension. They served us all through the course of action. Even colleagues that have been in lockdown by themselves and doing work from home, they have been incredible.”
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