April 25, 2024

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Art Is Experience

Playing to an empty room: Paris orchestra plays Strauss in COVID-19 era

Violinist Renaud Capucon and musicians conduct “Metamorphosen” by Richard Strauss all through a rehearsal in advance of a concert with out audience in the empty Pierre Boulez corridor at the Philharmonie de Paris (Paris Philharmonic) in Paris, as the concert corridor resumes its performances after France eased gradually its lockdown actions and constraints next the outbreak of the coronavirus disorder (COVID-19), in France, May well 28, 2020. REUTERS/Benoit Tessier

PARIS (Reuters) – Renaud Capuçon, a French concert violinist accustomed to playing to rooms of 2,000 people today and much more, executed on Thursday evening to an empty auditorium, but he reported the expertise was none the even worse for it.

“It’s like a return to everyday living,” he reported of the effectiveness, his initially at the Philharmonie de Paris concert corridor considering the fact that the COVID-19 outbreak forced the cancellation of all concert events back in March.

“We’re all very satisfied to … enjoy again after the lengthy period when almost everything was closed. It’s a serious rebirth.”

Capuçon and his 23-man or woman string orchestra on Thursday evening executed “Metamorphosen,” a piece by German composer Richard Strauss.

The auditorium, which can seat up to 2,four hundred people today, was empty, apart from a person or two personnel associates putting on surgical masks – complying with a French governing administration ban on mass gatherings nonetheless in power even as some other constraints have been eased.

The associates of the orchestra themselves ended up not essential to have on masks, but experienced to remain seated at the very least one meter (one.09 yards)away from every single other on the concert corridor stage.

The audience was virtual: people today viewing and listening at household by means of a dwell stream on the concert hall’s web-site.

Capuçon reported that the prior situations he experienced performed the Strauss piece, a mournful composition that finishes on a sombre be aware, he generally felt it would be suitable if there ended up no applause.

The COVID-19 outbreak now suggests that the ending of the effectiveness is achieved with silence. “It suits correctly,” reported the musician.

Reporting by Yiming Woo in Paris Composing by Christian Lowe Enhancing by Matthew Lewis

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